Christoph Büchel sexes up Klimt, some more
Thanks to Artkrush for bringing this Washington Post article and the work to my attention. Not being a Klimt scholar, though definitely an admirer, I’m interested to hear that Beethoven Frieze (1902), the permanent, too-racy-for-early-20th C.-audiences work at Secession, gets a contextual reboot by Swiss artist Christoph Büchel.
The idea of moving a local sex club, Element6, into the Vienna space in an effort to shock visitors, however, falls short of Klimt’s “frank eroticism.” It’s an exercise in forcing a polemic where none exists. If only far-right conservatives are offended, there’s much further to go. That reading seems too simplistic, though, and likely the only point of interest for media outlets. I’d rather see an historical angle, a better understanding of Klimt - and Büchel may have done that. I’ll seek out the original press release and proposal to update on what I’ve found.







