Christoph Büchel sexes up Klimt, some more
Thanks to Artkrush for bringing this Washington Post article and the work to my attention. Not being a Klimt scholar, though definitely an admirer, I’m interested to hear that Beethoven Frieze (1902), the permanent, too-racy-for-early-20th C.-audiences work at Secession, gets a contextual reboot by Swiss artist Christoph Büchel.
The idea of moving a local sex club, […]